Published originally at WhatCulture…
After what seems like an eternity of waiting, during which we have been treated to some relatively decent but not-overly-fantastic superhero movie fare, Christopher Nolan’s The Dark Knight Rises – the culmination of his dark and gritty tripartite Dark Knight saga- has finally exploded onto our cinema screens.
By way of introduction I want to say that Christopher Nolan’s Dark Knight films are, in my humble opinion, the best series of superhero films ever made. Batman, whilst not technically a ‘super’-hero in that he does not possess latent super-hero powers, holds a special place in the hearts of many comic book aficionados as their favourite crime-fighting protagonist, but the true beauty of Nolan’s films is that not only are they replete with explosions, gadgets and fantastic one-liners, but that they hold up a looking-glass to our own world. And in doing so Nolan’s films illustrate that the broken and recession ravaged Gotham City is only a reflection of our own murky and often unpleasant society, exposing the flaws and the decay within. Indeed, this trilogy has been characterised by a deep thematic richness that has underscored an intense crime saga the likes of which we have not seen in any series of superhero movies ever before.
It’s impossible to conduct a true thematic analysis without providing a substance of context and for that reason this article is bursting with spoilers. So if you don’t want to know what happens then I suggest you bookmark this page until after you have seen this awesome movie, and in the meantime read Shaun Munro’s wonderful spoiler-free review here.
As per many trilogies, The Dark Knight Rises comes full circle with many of the thoughts and notions that it explores, most notably in its treatment of ideas, returning to the underlying themes from Nolan’s Batman Begins: fear, pain, chaos, redemption, and justice. If you thought you were going to the cinema solely to see a movie showing Batman and Bane tear strips from each other you couldn’t be more wrong… The Dark Knight Rises may not be the only movie this year that weaves its story around a vision of impending apocalyptic tragedy but, as we will discuss here, it boasts an intelligence and epic grandeur that sets it apart from all of its box-office rivals.
Great stuff – again!
Really enjoyed this Benji.
I would add ‘hope’ and ‘love’ maybe?
Great stuff! General review coming too?
Great post, Benji! Glad to see that another writer is just as enthusiastic about this movie. I think Nolan is a genius in the way that he examines guilt and redemption in his films.
I haven’t read ‘A Tale of Two Cities’, but I did read an interview where Nolan mentioned that it was a source of inspiration for TDKR. I enjoyed your comparison between them.
Thanks again for reading my post. I look forward to reading your next article! You always provide new insight, which is a rare quality!